Saving Daylight
by Sarah Carson
On the drive home from her after-school karate class, my
daughter and I have the windows open for the first time since
the trees still held their color. The city bus stops are gilded with
the glint that only appears in a springtime twilight, so many bare
arms poking their sunless elbows out of t-shirt sleeves—like
box turtles at the surface of a pond. We pass the city cemetery
where a group is gathered above a funeral blanket. A red-
winged blackbird inspects a crash of balloons marking a
tombstone & I can’t help but wonder: Is it a blessing to put a
loved one to rest on such a beautiful evening? Or does it make
everything worse—the smell of thaw all around, the field grass
still bent by snow? Last week at this time, deer grazed among
the headstones & overturned ceremonial greenery. When I
begin to ponder where they are, I realize it’s me who’s here
early, having walked around my life for days adding time to
every small machine I count on, lamenting the loss with
strangers: People with places to be. People with to-do lists we
all think we’ll out-run. “Is it true that we lost an hour?” my
daughter asked when she returned home from school that
Monday. Sort of, I tell her, which was easier to say than, We all
collectively chose to pretend an hour never happened. Unlike the
deer, the blackbird, the snow’s slow return to the river. Before the
man I called my godfather died one winter evening, he caught me
waiting for spring with spectacular impatience: Never wish time
away, he told me then, as if he said it to everybody. As if he knew
his own time was ticking faster, as if to be buried in the spring
was both an omen & a dream.
Sarah Carson
Sarah Carson’s poetry and other writing have appeared in The Rumpus, The Slowdown, Guernica, The Missouri Review, and The Christian Century, among others. She is the author of three full-length collections of poetry, including How to Baptize a Child in Flint, Michigan (Persea Books, 2022).